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Easy to start using. Steep learning curve for advanced features. Default set of keyboard shortcuts is disorienting to new users.

This <tag> element would produce a department attribute in your SML results, such as the following: <SML confidence="1.0" text = "Sales" utteranceConfidence=3"1.0"> <department confidence="1.0">Sales</department> </SML> Your application could then access the result via the following code: RecognitionResult.Semantics["Products"].Value

The complement of blue is yellow, of green is magenta, and of red is cyan You can see the relationships in Figure 8-1 For subtractive colors, it works best to use those complementary colors as primaries: so the subtractive primary colors are cyan, magenta, and yellow, and the color model based around them is known as CMY Take some yellow paint and put it on white paper The white surface reflects the full spectrum of magenta, cyan, and yellow light, while the yellow surface absorbs the magenta and cyan what s left is yellow But wait! When you shine differently colored lights on a white screen, you re looking at reflected light, but it follows the additive rules What s up with that That s confusing, but the reflection is a red herring The color you see is still coming from transmitted light, even after it s reflected.

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Fast and small. Terminal based, with hard-toKeyboard shortcuts are always displayed; configure font faces. easier to learn. Doesn t contain the same depth of features as other editors.

It s not subtractive color because there s no tinted surface subtracting from the colors you see..

This editor also has a gang sign: http://www.homebrew.net/visign/ .

Great syntax highlighting. Easy to configure for new languages. Built-in key bindings for WordStar and Emacs. Contains extra features like a hex-editor and scientific calculator.

It s convenient to consider these two systems, additive and subtractive, as mirrors of each other. They have their own rules about how colors work, but the rules are exact opposites of each other. For example, if you mix any two of the additive primaries (red, green, or blue), you get one of the subtractive primaries (also called the additive secondaries): magenta, cyan, or yellow, as you saw in Figure 8-1. Conversely, mixing any two subtractive primaries of paint will yield the additive primaries: yellow + magenta = red, yellow + cyan = green, and cyan + magenta = blue.

Tip For more information about GRXML, visit the W3C web site for SRGS standards, www.w3.org/TR/

Although using make is worth a book in itself, 4 this section looks at make through the lens of a user who is already a little familiar with the tool Make is a tool that looks at a target and dependencies and figures out what steps are necessary to create the target if it s out of date with its dependencies The notion of out of date means the file system has a date on a dependency that s newer than the target file Make then looks to see if there s a rule to rebuild the dependency, first by name then by file extension A make rule looks like this: output-file: input1o input2o input3o $(CC) $^ -o $@ This line is read, output-file is made from input1o input2o and input3.

GIMP can help you experiment with combining colors, using the Addition and Subtract layer modes Tip

o and means that make attempts to be sure that on the file system, the dependencies are up to date before running this rule To help you be more productive, make has a large number of predefined rules; the author of a make file doesn t need to write much in the make file to get something built This has disadvantages in that a make file seems to work by magic, because you haven t specified much of anything but make still seems to have enough information to build something One of the most confusing aspects of make files is the usage of environment variables and how those affect make When make starts, all environment variables become make variables Make sets defaults for some variables so that the predefined rules work on most targets Make s rules then use these variables to execute tools to build dependencies.

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